if we have not talked in previous posts of this exhibition of Théodore Rousseau, please forgive me, after I should have, at least when we mentioned the Barbizon School or Fontainebleau Forest. Rousseau premise is certainly the main driver, with Corot, of this group of young painters outside the cultural society of the time by practicing a form of painting premise radically new: the natural landscape outdoors. However, the whole process of training should have led him to be one of the excellent academic painters, especially in France, creators of works in the purest premise classicism. C ontrary soon discover what you are doing John Constable and exits strongly from the mainstream. premise With 17 years he has already chosen as his main studio premise Fountainebleau outdoors. There is a constant, however, in the years of his youth-youth, which I think was the main reason I went dodging their adherence premise to neoclassicism established: his deep love of nature, love derived from its continuous contact with her first in the original people from their parents in the Jura region, bordering Switzerland, following his internship at Auteuil school in the suburbs of Paris but already in the field, after going through your stay in La Barre, near Besancon where he worked as an accountant at a sawmill in the countryside and in the woods and finally premise ending last week with his uncle, Pierre-Alexandre Pau de Saint-Martin, also a painter, period season it happened definitely premise painting outdoors shamelessly . And that despite the clear rejection that he saw undergone over many years in official circles that kept at bay academic purity salons annual exhibition. The other phase of his career, with the official recognition did not come until 1848, almost twenty years after the creation of this work we see, and he painted seventeen 1829. It is after a first-and antecedent work of the great series that next year would in the mountains of Auvergne, in the French Massif Central. Chances are that this work represents somewhere in Fontainebleau, to be followed by many other years later, squarely built the artistic group of landscape painters of Barbizon. Here, you see, analyzes the composition and structure of rocks and how they relate to the rest of surrounding natural elements, stressing its determination to abandon any artificial or anecdotal detail that could distract the wild harmony of the purest nature, appearing as it is, yes, wrapped in a placid light it sheds on the rock foreground a really beautiful subtle and delicate shade. Shortly later, in Auvergne, will hold a similar landscape, also rock, Torrente Mountain Auvergne, 1830, worth that you see for the wonderful variety of ocher-brown tones red superbly toned with green vegetation .
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