Saturday, January 31, 2015
Friday, January 30, 2015
A one-year language course personalized one on one fun learning about our Education
It'sa sunny day, the bird is singing, I'm singing too.When I get to park, I see some girls are playing games, so I join them.We play very happy.Then I have lunch with my friends.We both have a good time.what a happy day!
A one-year language course personalized one on one fun learning about our Education & Technology Group, founded in 2005. Currently, the Group's core businesses include: providing professional tutoring for students, parents provide scientific family education guidance for the implementation of quality education to promote learning and spread happiness. Learn more campuses Campus Shanghai, Fuzhou, Quanzhou, Xiamen gatherings campus gatherings Campus Campus Campus Hefei, Nanchang Campus gatherings Careers Career Home school recruit school trip school recruit recruit flow position gatherings of the education network gatherings activity class brands public gatherings happiness Ai Cool Summer Camps Arts exam training courses for help information gatherings Daily classes Guide Follow us Sina microblogging QQ group: 182 600 724
1 #include
1 #include < string > 2 #include <vector> 3 #include<iostream> 4 #include< string .h> 5 #include<algorithm> 6 #include<cmath> 7 8 using namespace std; 9 10 typedef cipriani nyc long long ll; 11 int dp[ 55 ][ 55 ][ 55 ]; 12 int b[ 55 ][ 55 ][ 55 ]; 13 14 vector< int >mp[ cipriani nyc 123 ]; 15 #define inf 0x3f3f3f 16 int n; 17 int son[ 123 ]; 18 19 class TheKingsTree { 20 public : 21 22 23 int dfs( int u, int red, int green) 24 { 25 if (b[u][red][green]) return dp[u][red][green]; 26 27 b[u][red][green]= 1 ; 28 int c1=red+ 1 ; 29 int c2=green+ 1 ; 30 for ( int i= 0 ;i<mp[u].size();i++ ) 31 { 32 c1+=dfs(mp[u][i],red+ 1 ,green); 33 c2+=dfs(mp[u][i],red,green+ 1 ); 34 } 35 return dp[u][red][green]= min(c1,c2); 36 } 37 int getNumber(vector cipriani nyc < int > parent) { 38 for ( int i= 0 ;i<parent.size();i++ ) 39 mp[parent[i]].push_back(i+ 1 ); 40 41 return dfs( 0 , 0 , 0 ); 42 } 43 }; 44 45 46 // Powered by FileEdit 47 // Powered by TZTester 1.01 [25-Feb-2003] 48 // Powered by CodeProcessor
公告
Thursday, January 29, 2015
Tuesday, January 27, 2015
Monday, January 26, 2015
Sunday, January 25, 2015
Verification code: Please enter the verification code after clicking listening verification code
Why are not allowed to draw the Prophet of Islam?
As do the prizes are people bought the album, the ears have to keep doing so do shell long ago time this album was already done, do the four inside pages, so you can put something more three-dimensional, qdoba catering Cover with a mango baby, let the baby more three-dimensional point and so on with this design, the album size is no more than 6 inches square, are on the cover with a layer of Crystal, with lace bag and back, the last ears do purple and pink album, this time to do is yellow lines, there is a black line in semi-finished products, and look forward to this album a video of it.
Verification code: Please enter the verification code after clicking listening verification code
Saturday, January 24, 2015
LEMON repeating the same story; fffb also bored.
Top Categories hot soups baking dish snack staple drink to taste spicy Szechuan Hunan Cantonese in spicy sweet and sour and salty and sour spicy HOT fresh salty sweet taste light spiced creamy sauce flavored with garlic cumin curry fruity Press the crowd / therapeutic pregnant mothers infant child elderly anemia beauty diet health food heat cured constipation yin yang fire menstruation by main ingredients of pork ribs tomatoes eggplant beans beef chicken wings shrimp potato pumpkin cauliflower mushrooms Bitter melon peanut soy milk curd cheese gourmet kitchen The latest fffb hot dish Tangbao snack staple diet drinks microwave pasta dish pastry foreign congee baking recipes illustrated recipes Western cooking techniques
LEMON repeating the same story; fffb also bored.
Red chili peppers and cut into small pieces, put into a pot and a spoon of oil;
Rich taste, the soup is delicious, beautiful color Next: soulmate ~~ wild pig heart flavor dry stir potatoes tricks nowadays hottest autumn rice noodles, fffb beef noodle king what to eat breakfast like tofu anti-haze seize the man stomach Daquan oven baked taro do not spicy Sichuan cuisine classic yam would not be happy Copyright 2004-2015 food world (Beijing Spirit-Vietnam Co., Ltd.) All rights reserved - Beijing ICP Certificate fffb No. 090244 Beijing ICP 10020153 No. / / Beijing public security equipment 110 105 010 204
Friday, January 23, 2015
Subscribe apinturasdiversas-demeza.blogspot.com
Farm in the Landes is a extraodinario example of a landscape in the style of the Barbizon school. Made by the painter's most famous landscapes mid-nineteenth century, represents a region of southwest France that the artist compared with Eden. Monumental oak trees silhouetted against a deep blue sky dominate the scene of a humble farm warmed by the afternoon sun. A dusty road leads through a courtyard rustic site in full swing: a dog sits patiently, a man repairs wheel truck while a child watches, a woman feeds cows and right another woman tends the clothes in front of a barn with a large thatched roof. The painting is a testament gourmet express to the enduring love of Rousseau for the simple rural life and a nature without gourmet express ornaments. Conducting Farm in Landes lasted nearly twenty years. The painting has its origins in a trip to this region, south of Bordeaux in 1844. At that time Rousseau made a compositional drawing (private collection) followed by a chiaroscuro to almost gourmet express as big as the final work oil. Back to the study of Barbizon, developed the composition in the next decade perfecting the effects of the play of light south in the leaves of the trees. In a series gourmet express of remarkable letters, artist and patron gourmet express discussed the creative process of painting. The same said about Farm in the Landes "It is my subject of serious reflection and study rather sweet and sour" sweet because their work very long in Table finally gave pictorial form to your experience gourmet express of this site, and bitter because the meticulous gourmet express technique he had developed conflicted with fashion quickly paint landscapes at that time
Subscribe apinturasdiversas-demeza.blogspot.com
- ARIADNE OF NAXOS abandoned by Theseus ANGELICA KAUFFMANN (1) Adoration of the Shepherds Andrea Mantegna (1) WORSHIP OF PASTORS ANTONIO DEL CASTILLO AND Saavedra (1) WORSHIP OF PASTORS EL GRECO (1) AGAR E ISMAEL IN THE DESERT OF GIOVANNI Battista Tiepolo (1) Allegory gourmet express of the Planets and Continents Giambattista Tiepolo (1) Allegory LEAGUE SANTA EL GRECO (1) Allegory of the Order of the Camaldolese EL GRECO (1) ALLEGORY OF CAMADULENSES EL GRECO (1) Allegory AND TRIUMPH OF LOVE (VENUS AND CUPID OF BRONZINO gourmet express (1) LOVE VICTORIOUS CARAVAGGIO (1) ANONYMOUS CASTILIAN gourmet express SANTA ANA (1) Arcabucero MARIANO FORTUNY (1) SELF PORTRAIT WITH GLOVES (1) SELF PORTRAIT WITH ALBERT PELLIZA DURERO (1) SELF PORTRAIT WITH A RAFAEL (1) Vigee-Lebrun Self Portrait gourmet express (1) AVALANCHE FRIEND IN GRAUBUNDEN WILLIAM M TURNER (1) OLD TOWN HALL OF GRANADA MARIANO FORTUNY (1) BOATS TO THE SEA JOHN SELL COTMAN (1) FISHING BOAT BETWEEN TWO ROCKS IN A BALTIC BEACH OF CASPAR DAVID Friedrich (1) BOAT ON THE OCEAN GLACIARDE SHIPWRECKED CASPAR gourmet express DAVID Friedrich (1) STILL LIFE WITH CAT AND FISH de Chardin (1) BONJOUR MONSIEUR COUBERT (1) TOAST OF THE SWORD IN SEVILLA MARIANO FORTUNY (1) BUST OF MAN: Allegory BACCHUS MARIANO FORTUNY (1) HEAD OF MEDUSA CARAVAGGIO (1) STREET TÁNGER by Mariano Fortuny (1) FARMERS IN A SLEIGH CORNELIUS KRIEGHOFF (1) CANNY GLASGOW John Atkinson Grimshaw (1) CARAVAGGIO (1) CARMEN BASTIÁN by Mariano Fortuny (1) COMUNIÓNDE CARMENCITA gourmet express DE ANTONIO LOPEZ (1) HOUSE OF ANTONIO LOPEZ LOPEZ ANTONIO TORRES (1) HUNTERS IN THE SNOW Pieter Brueghel the Elder (1) SWING Jean-Honore Fragonard (1) COMPASS CONVENT SANTA PAULA (1) COUNTRY CONCERT gourmet express OF TIZIANO (1) GALA CONCERT IN VENICE FRANCESCO GUARDI (1) CONCERT OF YOUNG (1) CONSEQUENCES OF PETER PAUL RUBENS WAR (1) CORONATION OF THE VIRGIN EL GRECO (1) SEWING (WOMEN WITH RED DRESS) RAMON CASAS (1) Cotopaxi FREDERIC EDWIN CHURCH (1) CHRIST CRUCIFIED EL GRECO (1) CHRIST DIED Andrea Mantegna (1) CHRIST AND THE WOMAN ADULTEROUS gourmet express REMBRANDTH (1) CRUCIFIXION OF SAN PEDRO MIGUEL gourmet express ANGEL (1) FOUR WOMEN ANTONIO LOPEZ (1) CAVE OF GYPSIES OF MARIANO FORTUNY (1) BEWARE lust JAN STEEN (1) DANTE GABRIEL ROSSETTI (1) SAUL DAVID TO REMBRANDT (1) David with the Head of Goliath CARAVAGGIO (1) DAVID MIGUEL ANGEL (1) ALBERT DURERO (1) OF ALEXANDER CABANELL (1) of Alphonse Mucha (2) OF ANTONIO LOPEZ (1) CARAVAGGIO (1) of CASPAR DAVID Friedrich (6) OF DANTE GABRIEL ROSSETTI (1) OF FERNAND KNOPFF (1) FRANCISCO DE GOYA (2) OF FREDERIC LEIGHTON (1) Ingres gourmet express (1) Jebusa JAMES SHANNON (1) OF JAN VEMEER (1) DE JULIO ROMERO DE TORRES (1) Leonardo da Vinci (1) DE MARIANO FORTUNY (1) OF RAMON CASAS (1) OF REMBRANDT (2) OF SANFRO Boticelli (1) OF THEODORE gourmet express CHAUSSERIAU (1) OF TINTORETTO (1) OF TIZIANO (1) OF WILLIAM TURNER (2) Denis Diderot Jean-Honore Fragonard (1) DESEMBOCADIURA DEL MAR BIDASOA
Thursday, January 22, 2015
The show calls itself
haberarts.com in New.York: John Haber's Art Reviews
Latest posts Holy You Know What Artists Cared The Death of the Symbol Standing to Make a Painting Raw from the Waist Up Longer reviews by. . . ARTIST or CRITIC Histories of Art Postmodern Ideas Some Reader Favorites About this site What Is Haberarts? What’s NEW? Where Can I See Art? Who Am I? The blogroll ArtNet ArtVent CultureGrrl Edward Winkleman Modern Art Notes Two Coats of Paint Where ELSE Is Art Online?
Painters could compose studies outdoors on the spot, and those studies became the finished work of art. So did works on paper disappear? By no means, and Théodore Rousseau found time for well over a thousand. Now the Morgan Library asks what that meant for painting and his art—and, along with an earlier show of Romantic landscapes , it is the subject of a longer review in my latest upload .
Rousseau, Jean-François Millet, cocktail party menu and Charles-Francois Daubigny have entered the history books as leaders of the Barbizon school, cocktail party menu named for a village near the forest of Fontainebleau, and the show bears the subtitle “ The Road to Barbizon .” And well it should, for it takes roughly half its length to get there. It also emphasizes Rousseau’s travels, as part of a deepening identification of painting with place.
One sees him as early as 1829, at age nineteen, in and around Paris but in search of a landscape untouched by the city. One can follow him to Auvergne in south-central France in 1830, for six critical months among its volcanic hills and streams—and to Normandy and Brittany in the 1830s for their coastal communities and sky. And then he was on to the forest, until his death in 1867, for the contrasts between mass and shadow that became his art.
The show calls itself “ The Untamed Landscape ,” through January cocktail party menu 18, and somehow his return to within forty miles of Paris corresponds to more agitated drawing and a wilder nature. This is the artist one remembers, in contrast to Millet’s idealized scenes of peasant life or Daubigny’s firm compositions and deepening skies.
It also raises the question of his place in history. The previous show in the very same room described the Romantic landscape as “ A Dialogue with Nature .” Was Rousseau putting all that behind him, in favor of seeing things for themselves, or was he turning his back on the future by clinging to a still more naïve Romanticism?
Maybe both, which is why he has pertinence for Post-Impressionism and early Modernism, with their search for “ the primitive ” in both humanity and nature. (The curator, Amy Kurlander, cocktail party menu quotes Vincent cocktail party menu van Gogh as an admirer.) At the same time, Rousseau sees landscape through human habitation and human eyes. The scenes are largely empty of life, despite the occasional cocktail party menu fisherman or peasants in prayer. Still, they have room for a stone bridge, docks with sailboats at rest, a grotto open to the sun, a grand château, more than one famous cathedral, and entire villages. An untamed nature thrives on contrasts with the wilder side of all these as well.
Each stage in Rousseau’s journey also corresponds to new models for his art. He studied with two largely forgotten Neoclassical painters, persisted after repeated rejections from the official Paris Salon, and skipped cocktail party menu off to Auvergne only after competing in vain for the French Academy’s Prix de Rome. His earliest studies draw on the broad panoramas and high vantage point of Claude Lorrain . He headed for the northern cocktail party menu coast inspired by earlier French and British painters, and at least two color sketches capture the swirling, cocktail party menu glowing apocalypse of J. M. W. Turner . His final silent woods and plains crossed by cows mark his discovery of Jacob van Ruisdael and Aelbert Cuyp . Maybe he chose to forget that the age of Rembrandt cherished landscape as testimony not to the force of nature, but to an independent republic and to what made the Dutch who they were.
His earliest oil sketches near Paris also have strong echoes in the crisp light and houses parallel to the picture plane in early Camille Corot , a contemporary who later visited Fontainebleau. cocktail party menu Auvergne introduces not just a greater wildness, but also an oil technique strong enough to move among cascades, rocks, and a more radiant atmosphere above. A close-up of a towering cliff uses graphite to trace gradations almost like a portrait face. Normandy, along with side trips to Switzerland and the Jura in eastern France, introduces a middle ground, converting his leaps between masses and depth into complex, interpenetrating volumes. Rousseau also turns from regular hatching to the squiggles and agitated line that characterize the dark woods of his Fontainebleau.
He cocktail party menu settled there once and for all in the late 1940s, in a rented cottage with a barn for his studio. Things just get splashier and splashier, from the soft bru
Latest posts Holy You Know What Artists Cared The Death of the Symbol Standing to Make a Painting Raw from the Waist Up Longer reviews by. . . ARTIST or CRITIC Histories of Art Postmodern Ideas Some Reader Favorites About this site What Is Haberarts? What’s NEW? Where Can I See Art? Who Am I? The blogroll ArtNet ArtVent CultureGrrl Edward Winkleman Modern Art Notes Two Coats of Paint Where ELSE Is Art Online?
Painters could compose studies outdoors on the spot, and those studies became the finished work of art. So did works on paper disappear? By no means, and Théodore Rousseau found time for well over a thousand. Now the Morgan Library asks what that meant for painting and his art—and, along with an earlier show of Romantic landscapes , it is the subject of a longer review in my latest upload .
Rousseau, Jean-François Millet, cocktail party menu and Charles-Francois Daubigny have entered the history books as leaders of the Barbizon school, cocktail party menu named for a village near the forest of Fontainebleau, and the show bears the subtitle “ The Road to Barbizon .” And well it should, for it takes roughly half its length to get there. It also emphasizes Rousseau’s travels, as part of a deepening identification of painting with place.
One sees him as early as 1829, at age nineteen, in and around Paris but in search of a landscape untouched by the city. One can follow him to Auvergne in south-central France in 1830, for six critical months among its volcanic hills and streams—and to Normandy and Brittany in the 1830s for their coastal communities and sky. And then he was on to the forest, until his death in 1867, for the contrasts between mass and shadow that became his art.
The show calls itself “ The Untamed Landscape ,” through January cocktail party menu 18, and somehow his return to within forty miles of Paris corresponds to more agitated drawing and a wilder nature. This is the artist one remembers, in contrast to Millet’s idealized scenes of peasant life or Daubigny’s firm compositions and deepening skies.
It also raises the question of his place in history. The previous show in the very same room described the Romantic landscape as “ A Dialogue with Nature .” Was Rousseau putting all that behind him, in favor of seeing things for themselves, or was he turning his back on the future by clinging to a still more naïve Romanticism?
Maybe both, which is why he has pertinence for Post-Impressionism and early Modernism, with their search for “ the primitive ” in both humanity and nature. (The curator, Amy Kurlander, cocktail party menu quotes Vincent cocktail party menu van Gogh as an admirer.) At the same time, Rousseau sees landscape through human habitation and human eyes. The scenes are largely empty of life, despite the occasional cocktail party menu fisherman or peasants in prayer. Still, they have room for a stone bridge, docks with sailboats at rest, a grotto open to the sun, a grand château, more than one famous cathedral, and entire villages. An untamed nature thrives on contrasts with the wilder side of all these as well.
Each stage in Rousseau’s journey also corresponds to new models for his art. He studied with two largely forgotten Neoclassical painters, persisted after repeated rejections from the official Paris Salon, and skipped cocktail party menu off to Auvergne only after competing in vain for the French Academy’s Prix de Rome. His earliest studies draw on the broad panoramas and high vantage point of Claude Lorrain . He headed for the northern cocktail party menu coast inspired by earlier French and British painters, and at least two color sketches capture the swirling, cocktail party menu glowing apocalypse of J. M. W. Turner . His final silent woods and plains crossed by cows mark his discovery of Jacob van Ruisdael and Aelbert Cuyp . Maybe he chose to forget that the age of Rembrandt cherished landscape as testimony not to the force of nature, but to an independent republic and to what made the Dutch who they were.
His earliest oil sketches near Paris also have strong echoes in the crisp light and houses parallel to the picture plane in early Camille Corot , a contemporary who later visited Fontainebleau. cocktail party menu Auvergne introduces not just a greater wildness, but also an oil technique strong enough to move among cascades, rocks, and a more radiant atmosphere above. A close-up of a towering cliff uses graphite to trace gradations almost like a portrait face. Normandy, along with side trips to Switzerland and the Jura in eastern France, introduces a middle ground, converting his leaps between masses and depth into complex, interpenetrating volumes. Rousseau also turns from regular hatching to the squiggles and agitated line that characterize the dark woods of his Fontainebleau.
He cocktail party menu settled there once and for all in the late 1940s, in a rented cottage with a barn for his studio. Things just get splashier and splashier, from the soft bru
Wednesday, January 21, 2015
"Our art can only attain pathos through sincerity." Rousseau attempted to render nature as he found
ROUSSEAU Théodore [Paris, 1812 ; Barbizon, palmia ruokalista 1867 ] BORD DE RIVIERE c. 1849 Oil paint on wood board H. 27, l. 34.5 Musée du Louvre département des Peintures, Paris ROUSSEAU Théodore [Paris, 1812 ; Barbizon, 1867 ] COUCHER DE SOLEIL DANS LA FORET c.1866 Oil on canvas H. 46, l. 62.5 Musée du Louvre département des Peintures, Paris ROUSSEAU Théodore [Paris, 1812 ; Barbizon, 1867 ] CLAIRIERE DANS LA HAUTE FUTAIE ; FORET DE FONTAINEBLEAU, DIT LA CHARRETTE 1863 Oil on canvas H. 28, l. 53 Musée du Louvre département des Peintures, Paris
"Our art can only attain pathos through sincerity." Rousseau attempted to render nature as he found it, though his melancholic temperament is reflected in the desolate panoramas and gloomy sunsets. At the same time, his close attention to detail and painstaking accuracy in the delineation of plants and grasses betray the scientific concern shared by many Romantic artists. A similar penetration informed his studies of light. The works held wide appeal in the American market and to American sensibilitites. The novelist Henry James was an enthusiast of the School and its painters. In "French Pictures in Boston", (1872) PE., 45, James wrote of a painting by Théodore Rousseau: "It is not an American sunset, with its lucid and untempered splendour of orange and scarlet, but the sinking of a serious old world day, which sings its death-song in a muffled key "
► 2015 ( 3 ) ► January 2015 ( 3 ) ► 2014 ( 144 ) ► palmia ruokalista December 2014 ( 2 ) ► November 2014 ( 5 ) ► October 2014 ( 2 ) ► September 2014 ( 3 ) ► August 2014 ( 14 ) ► July 2014 ( 13 ) ► June 2014 ( 14 ) ► May 2014 ( 17 ) ► April 2014 ( 21 ) ► March 2014 ( 19 ) ► February 2014 ( 15 ) ► January 2014 ( 19 ) ► 2013 ( 152 ) ► December 2013 ( 15 ) ► November 2013 ( 19 ) ► October 2013 ( 9 ) ► September 2013 ( 9 ) ► August 2013 ( 13 ) ► July 2013 ( 11 ) ► June 2013 ( 12 ) ► May 2013 ( 6 ) ► April 2013 ( 12 ) ► March 2013 ( 19 ) ► February 2013 ( 8 ) ► January 2013 ( 19 ) ► 2012 ( 116 ) ► December 2012 ( 15 ) ► November 2012 ( 10 ) ► October 2012 ( 7 ) ► September 2012 ( 13 ) ► August 2012 ( 10 ) ► July 2012 ( 7 ) ► June 2012 ( 12 ) ► palmia ruokalista May 2012 ( 2 ) ► April 2012 ( 8 ) ► March 2012 ( 11 ) ► February 2012 ( 12 ) ► January 2012 ( 9 ) ► 2011 ( 208 ) ► December 2011 ( 13 ) ► November 2011 ( 12 ) ► October 2011 ( 12 ) ► palmia ruokalista September 2011 ( 13 ) ► August 2011 ( 20 ) ► July 2011 ( 15 ) ► June 2011 ( 18 ) ► May 2011 ( 17 ) ► April 2011 ( 21 ) ► March 2011 ( 20 ) ► palmia ruokalista February 2011 ( 21 ) ► January 2011 ( 26 ) ► 2010 ( 402 ) ► December 2010 ( 21 ) ► November 2010 ( 20 ) ► October 2010 ( 35 ) ► September 2010 ( 41 ) ► August 2010 ( 29 ) ► July 2010 ( 47 ) ► June 2010 ( 46 ) ► May 2010 ( 39 ) ► April 2010 ( 44 ) ► March 2010 ( 31 ) ► February 2010 ( 24 ) ► palmia ruokalista January 2010 ( 25 ) ► 2009 ( 406 ) ► December 2009 ( 25 ) ► November 2009 ( 44 ) ► palmia ruokalista October 2009 ( 40 ) ► palmia ruokalista September 2009 ( 36 ) ► August 2009 ( 36 ) ► July 2009 ( 29 ) ► June 2009 ( 34 ) ► May 2009 ( 31 ) ► April 2009 ( 31 ) ► March 2009 ( 32 ) ► February palmia ruokalista 2009 ( 40 ) ► January 2009 ( 28 ) ▼ 2008 ( 502 ) ► December 2008 ( 29 ) ► November 2008 ( 50 ) ► October 2008 ( 53 ) ► September palmia ruokalista 2008 ( 36 ) ► August palmia ruokalista 2008 ( 47 ) ► July 2008 ( 30 ) ► June 2008 ( 40 ) ► palmia ruokalista May 2008 ( 59 ) ▼ April 2008 ( 42 ) Consolatrix Afflictorum The Coarbs of St Moluag St Catherine of Siena Preparations for the Procession Un Scandale [A Scandal] The Church In Danger The Missionary's Adventures Monseigneur en visite: A Visit from his Grace Jehan Georges Vibert Ferdinand Heilbuth The Glory of St. Ignatius Loyola Padre Pio's body goes on public display The Triumph of the Eucharist Blessed John Henry Newman ? St George Pope visits Ground palmia ruokalista Zero to pray for 9/11 victims Pope speaks to the United Nations Beauty ? It`s in the Neurones... Pope Benedict - no Dr Strangelove Pope`s visit to the United States A Scot cannot be Pope White House crowd sings Happy Birthday to Pope Fran
Tuesday, January 20, 2015
Pablo Picasso Crucifixion Jean-Leon Gerome Painting II Rene Magritte The Empire of Light Claude Mone
No. r16341 Art price:from $99.27 The Forest at Fountainbleu by Theodore Rousseau custom the size & frames
shop by subject landscape abstract village tango see more... Group art design landscape flower abstract see more... shop by artist claude monet Vincent van Gogh Rembrandt Paintings Gustav klimt paintings Thomas Cole Albert deli express Bierstadt Leroy Neiman paintings Frank Dicksee Paintings Henri Rousseau paintings Thomas deli express Kinkade paintings Fabian Perez paintings William Bouguereau painting frames Andrew Atroshenko Tamara de Lempicka Marc Chagall Paintings Pino Paintings Edward deli express Hopper Paintings Thomas Moran Vladimir Volegov paintings Vladimir Kush see more artists
Pablo Picasso Crucifixion Jean-Leon Gerome Painting II Rene Magritte The Empire of Light Claude Monet Vase Of Flowers William deli express Bouguereau Wet Cupid Carl Fredrik Aagard The Deer Park Thomas Cole Kaaterskill Falls Tamara de Lempicka Self Portrait in Green Bugatti Vladimir Volegov park of rose browse more top selling money back guarantee!
cart my account feedback FAQ by subject by artist
Forty two paintings at Tunnel City Coffee, bambi cafe Williamstown, bambi cafe MA, January 8 - April
This is a 9x12 charcoal drawing looking down 1st Street from Fifth Avenue in Brooklyn. I have just finished reading a fascinating book, Art and Ecology in Nineteenth-Century France: The Landscapes of Theodore Rousseau, by Greg M. Thomas (an interlibrary loan). Of course, I have the anti-Rousseau bambi cafe subject matter in a Brooklyn drawing for this post, but there is a tree present. bambi cafe Anyway... Thomas describes the experience of the 'virtual spectator' viewing bambi cafe Rousseau's masterpiece bambi cafe Winter Forest bambi cafe (in the Met): "Rather than creating and commanding the view, the virtual spectator struggles to grasp the ideal world over the limitations imposed by his or her own body, by the vastness of space, and by the brute materiality of the surrounding forest... Viewers relive the experience of the virtual spectator who, lost in the muddy fringes of the infinite forest, struggles to grasp the organically interconnected whole. bambi cafe This is not just realism bambi cafe but, rather, a reorientation of vision that asserts the irrelevance of a viewing subject to the independent bambi cafe order of the land. Spectatorship itself becomes yet another physical, biological process of organizing activity, another earth narrative in which a humble, peripheral human visitor wanders through the landscape absorbing light and reprocessing it into art." The 'virtual spectator' can be the artist or somebody bambi cafe like the artist. We, the later viewer or spectator, sees a scene oriented toward the 'virtual spectator', who is not us. It's like Rembrandt's painting of the Syndics: they are looking at the 'virtual bambi cafe spectator' and we look at them looking at the 'virtual spectator'. In any case, I particularly liked the idea of the viewer/artist wandering bambi cafe through the landscape and "reprocessing it into art." Here's another quote: "... the painter [Rousseau] does more than inject passion into the landscape image; he also tries to articulate the passion, the joy and tragedy, inherent in the land itself. The land has its own history and emotional character, and a landscape painting effects an exchange bambi cafe between the distinct lives of the artist and natural world." Maybe the title of the book now is starting to make some sense. Final quote: "... Rousseau dramatically alters the discourse of impassioned naturalism in asserting that landscape painting bambi cafe is a symbiotic process. Art is the product of a dynamic exchange between the artist's creative mind and the independent creative intelligence bambi cafe of the external world, a dialogue bambi cafe between self and self-generating world. This sense of reciprocity underlies one of Rousseau's most overtly ecological statements, an 1852 fragment bambi cafe describing the view from his studio of a weather-beaten little oak grove on a hill: 'Wait there for the sunset, and there will no longer be small or large on the ordinary scale of the senses. The whole will rise up in lively silhouettes, you will no longer suffer there; your spirit bambi cafe will be lost in the grandiose....' 'The whole' is apparently the ecological union of all the parts--trees, animals, bambi cafe earth, bambi cafe sky, light-- in the organic interconnectedness of nature. And, he adds, any small bit such as a bird's beak or a rabbit's ears provides an entry point into comprehending the entire network of things, while any little rural figure conveys belonging to the earth. Art, he implies, will achieve bambi cafe universal meaning only if the artist can absorb this unified network of life and reproduce it through modeling."
Forty two paintings at Tunnel City Coffee, bambi cafe Williamstown, bambi cafe MA, January 8 - April 8, 2015 Two paintings in the Collector's Gallery, Southern Vermont Arts Center, May 3 - Continuing Landscape paintings at Sweet Brook Farm, Williamstown, MA
My Facebook Artist Page My Etsy Shop My Flickr Site My Old Web Site Paint a Positive Picture Painting Perceptions Pastel News The Art of the Landscape Bill Cone Colin Page Daniel Aldana Daniel Hauben Duane Keiser bambi cafe George Nick Haidee-Jo Summers James Coe Julian Merrow-Smith Justin Clayton Lorianne bambi cafe Signori Marc Dalessio Marc Hanson Margaret Dyer Michael Chesley Johnson Peter Fiore Randall Tipton bambi cafe Rodrica Tilley SamArtDog Sheila M. Evans Studio21south Susan Ogilvie Taryn Day - Awake and Painting Timothy Horn Victoria Ryan William Hosner
► 2015 (20) ► January (20) ► 2014 (248) ► December (21) ► November (21) ► October (18) ► September (15) ► August (19) ► July (21) ► June (25) ► May (18) ► April (21) ► March (32) ► February bambi cafe (20) ► January (17) ▼ 2013 (188) ► December (9) ► November (4) ► October (14) ► September (13) ► August (7) ► July (19) ► June (19) ► May (24) ► April (21) ► Ma
Monday, January 19, 2015
adami valerio (1) Arikha Avigdor (1) Aspertini amico (1) Aspertini guido (1) gustavo premise bacari
if we have not talked in previous posts of this exhibition of Théodore Rousseau, please forgive me, after I should have, at least when we mentioned the Barbizon School or Fontainebleau Forest. Rousseau premise is certainly the main driver, with Corot, of this group of young painters outside the cultural society of the time by practicing a form of painting premise radically new: the natural landscape outdoors. However, the whole process of training should have led him to be one of the excellent academic painters, especially in France, creators of works in the purest premise classicism. C ontrary soon discover what you are doing John Constable and exits strongly from the mainstream. premise With 17 years he has already chosen as his main studio premise Fountainebleau outdoors. There is a constant, however, in the years of his youth-youth, which I think was the main reason I went dodging their adherence premise to neoclassicism established: his deep love of nature, love derived from its continuous contact with her first in the original people from their parents in the Jura region, bordering Switzerland, following his internship at Auteuil school in the suburbs of Paris but already in the field, after going through your stay in La Barre, near Besancon where he worked as an accountant at a sawmill in the countryside and in the woods and finally premise ending last week with his uncle, Pierre-Alexandre Pau de Saint-Martin, also a painter, period season it happened definitely premise painting outdoors shamelessly . And that despite the clear rejection that he saw undergone over many years in official circles that kept at bay academic purity salons annual exhibition. The other phase of his career, with the official recognition did not come until 1848, almost twenty years after the creation of this work we see, and he painted seventeen 1829. It is after a first-and antecedent work of the great series that next year would in the mountains of Auvergne, in the French Massif Central. Chances are that this work represents somewhere in Fontainebleau, to be followed by many other years later, squarely built the artistic group of landscape painters of Barbizon. Here, you see, analyzes the composition and structure of rocks and how they relate to the rest of surrounding natural elements, stressing its determination to abandon any artificial or anecdotal detail that could distract the wild harmony of the purest nature, appearing as it is, yes, wrapped in a placid light it sheds on the rock foreground a really beautiful subtle and delicate shade. Shortly later, in Auvergne, will hold a similar landscape, also rock, Torrente Mountain Auvergne, 1830, worth that you see for the wonderful variety of ocher-brown tones red superbly toned with green vegetation .
mercedestamara ars vitae artists worldwide art blart carbularte BOOOOOOOM Beautiful Mid-Century Century watercolors foroxerbar-p.perlado new york art galleries cartoonist 2.0 watercolorists-impressionist colorist onework s.XXI the annotations ubond jsperlado-painting art painting and Lembranzas latartamagica arteolmos artists traveling art in madrid Spain painters' table arthistory sum madamepickwick artseverydayliving Artdaily architectures bbc-arts & culture city web gallery of critical art paint painting I need a guide pintaracuarela my daily art display
adami valerio (1) Arikha Avigdor (1) Aspertini amico (1) Aspertini guido (1) gustavo premise bacaristas (1) francis bacon (1) bakst leon (1) bayeu and subias francisco (1) beckmann max (2) beert osias ( 1) federico beltran masses (2) antonio berni (1) gonzalo bilbao (2) peter blake (1) william blake (8) Blesius pseudo (1) Boeckl herbert (1) bonnard pierre premise (1) bosco's (1) bruegel the Old jan (3) pieter bruegel old (1) Canaletto (3) Michelangelo Merisi da Caravaggio (2) carlevarijs luca (1) carus carl gustav (1) marc chagall (19) petrus christus (1) claesz pieter (1) close chuck (1) viviano codazzi (1) Coecke van aelst pieter (1) jules Coignet (1) john constable (2) corot camile (3) il Correggio (1) Courbet gustave (3) courmes alfred (1) currin john (1 ) salvador dali (10) daniels rene (1) daubigny charles premise francois (1) giorgio chirico (1) jan heem davidzs (2) of the fresnaye roger (1) tamara lempicka (1) lorena claudio (1) degas edgard (4) Castle premise jose (1) eugene delacroix (15) Robert Delaunay (2) andre derain (1) Sunday marques francisco (1) drouais francois-hubert (1) dufy raoul (1) asher b durand. (1) durero alberto (1) Greek (17) erro (1) jose ferrer (1) fortuny and Marian marsal of (3) fosso samuel (1) leonard Foujita
Sunday, January 18, 2015
However, the artist saw during a walk in the woods how loggers big old oak omhakten. Shocked he mad
Mesdag had a whole series of woodland scenes of the French artist Théodore Rousseau, ranging from detailed drawings to loose painted oil sketches. Murder of the innocent, a large canvas from 1847, is the most special of them. The title makes an impressive and bloody history painting suggests, but Rousseau's 'massacre' consisted of chopping down a bunch of trees in the forest. food network sandwich king
Theodore Rousseau was one of the most important artists food network sandwich king of the Barbizon School. Like other artists who are part of the School, he worked preferably in the forest of Fontainebleau, food network sandwich king about 50 km from Paris. This ancient hunting forest of French kings had always remained untouched.
However, the artist saw during a walk in the woods how loggers big old oak omhakten. Shocked he made a sketch of the spot. The next day he was drawing in his studio into this painting. With some difficulty to detect the loggers this: sawing in trees and hanging on the ropes. The canvas is unfinished. Rousseau stayed there until the end of his life to work and kept it in his studio as a reminder of the "massacre" in the forest.
The meaning and the emotional content of the performance are powerful and persuasive put down. The sketchy nature of this work made it extremely attractive for Mesdag, who had a strong food network sandwich king preference for studies and sketches which the artist was still clearly visible.
Saturday, January 17, 2015
[ 1 ] The J. Paul Getty Museum already owned three drawings by Roelandt Savery. Several American mus
La Tribune de l'Art Editorial News Studies Calendar Want Ads Updates Letters News Items Exhibitions Publications Museums Heritage Debates Essays Artists Symposia Recruitments Research Announcements Our Newsletter Contact RSS
30/12/08 Acquisitions Los Angeles, The J. Paul Getty Museum Last 10 December the Getty Museum announced the purchase of Landscape with the Temptation catering hamburg of Saint Anthony by Roelandt Savery ( ill . 1), dated 1617. Characteristic of the transition from the Mannerist conception of landscapes to that of the 17th century Naturalist school, it also reflects the new demand at that time by art lovers for large formats representing nature. Savery, who was at the service of Emperor Rodolphe catering hamburg II in Prague, had travelled extensively in 1606 in the Tyrol region and produced drawings and small formats illustrating forests. After returning to Amsterdam and Utrecht, he used them to conceive catering hamburg vast landscapes, catering hamburg with several “vanishing points”, filled with light rays, waterfalls and mountains, and very different from the geography found in the Netherlands. catering hamburg The grandiose and heroic aspect of the elements evokes some paintings by Kerstiaen of Keuninck. In the foreground, catering hamburg the artist exhibits his well-known talents in painting animals and refers to the anecdote of the saint in retreat, on the left, as a reflection on man s place in nature, a frequent theme in contemporary painters, from Bril to Jan Brueghel the Elder, and which will continue during the Baroque catering hamburg (Poussin, Claude, )
Despite these very real qualities the overly glowing catering hamburg tone of the museum s press release is a bit exaggerated. This is certainly an important acquisition, but not as fundamental as they claim (to the point of stating “one of the most important works by the artist to become available in several decades”) as the artist appears regularly on the art market [ 1 ]. The press statement sins by omission in carefully avoiding to indicate the recent catering hamburg provenance of the panel. It in fact belonged to Brian and Esther Pilkington who had lent it to the National Gallery in London. The Getty was able to purchase it after negotiating for two years, as the Ministry of Culture in England had judged it to be non-patrimonial and authorized its export catering hamburg having other more pressing problems to deal with (see news item of 28/8/08 ) as well as a reduced budget catering hamburg which is not bound to improve soon given the current catering hamburg financial crisis [ 2 ]. This is not the first time that the Getty seeks to acquire paintings on loan in London (for example Raphael catering hamburg s Madonna of the Pinks ) or belonging to English heritage (see news item in French of 8/9/04 ), from Canova s Three Graces to the Cipriani bronzes (see news item of 22/10/08 ). This only goes to confirm its appreciation catering hamburg of works from European museums (see news item in French of 19/7/05 ). It is hard to understand why this institution is not capable of implementing its own acquisitions policy on the art market, rather than looking for purchases only when bearing the approval of other establishments. Those times when the world s museums trembled at the thought of the Getty s purchasing catering hamburg power and the timely choices made by its director Burton Fredericksen now seem to have definitely passed and the 25% reduction of its endowment, recently revealed catering hamburg by the Associated Press, will further affect its resources. At the time, the Getty Museum avoided repeat purchases of works in other collections in Los Angeles. In the specific case of Savery, the Norton Simon Museum has owned one since 1972, just as beautiful and important as the new one at the Getty.
The same press statement also announces the purchase catering hamburg of a Rodin drawing, Sphinx ( ill . 2), showing a female nude in a landscape with a palm tree, dated 1898-1900, very characteristic of the eroticism in the great sculptor s graphic works, but of much lesser quality than the Nude in the Water exhibited by Jean-Luc Baroni at the Salon du dessin last April. Further proof of this very traditional taste is reflected in the acquisition in the last two years of three beautiful landscapes which are particularly conventional :
catering hamburg Hubert Robert, Demolition of the chateau in Meudon ( ill . 3), acquired in 2007 thanks to the funds raised by selling the works donated by Peter and Iselin catering hamburg Moller, Dr. Walter S. Udin and Howard Young [ 3 ].
[ 1 ] The J. Paul Getty Museum already owned three drawings by Roelandt Savery. Several American museums catering hamburg own paintings by Savery, for example, the Detroit Museum acquired a Landscape with a Mine Entrance in 2001.
Other articles on similar topics: catering hamburg Auguste Rodin (1840-1917) Hubert catering hamburg Robert (1733-1808) Jean-Victor Bertin (1775-1842) Roelandt Savery (1576-1639) Théodore Rousseau (1812-1867) Los Angeles, The J. Paul Getty Museum Acquisitions
Home | Editorial | News Items | | Exhibitions | Publications | Museums | Heritage | Debates | Essays | Letters | Research Announcements | Link
General the lunch box Knowledge Quiz No. 1 General Knowledge Quiz No. 2 General Knowledge Quiz No. 3
Home Countries India USA UK Science Literature Sports & Games Sports & Games Cricket Football Hockey Olympic Games Tennis More More Lists Art Hollywood Bollywood Religion Bible Quizzes Grammar Organisations Economics Mughal Empire Rulers Emperors Monarchs Kings Queens Terms of Use Privacy Policy Disclaimer Antispam FB Policy External Links Policy
Barbizon landscape, ca. 1850 (Photo credit: Wikipedia)
7. When did Theodore Rousseau paint Chopping Trees on Ile de Croissy? b) 1847
You may use these HTML tags and attributes: <a href="" title=""> <abbr title=""> <acronym title=""> <b> the lunch box <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>
"I, Vitus, assume authority as King of Konkan. I will to the best of my ability preserve, protect and defend Konkan and devote myself to its rule and well-being. I will uphold the sovereignty and integrity of Konkan. I will to the best of my ability, knowledge and judgment, faithfully and conscientiously discharge my functions and do right to all manner of people in accordance with the law without fear or favour, affection or ill-will." Read More...
General the lunch box Knowledge Quiz No. 1 General Knowledge Quiz No. 2 General Knowledge Quiz No. 3 List of countries and their capitals List of Presidents of the United States of America List of Bharat Ratna Award Winners India Quiz List of India's Presidents, Vice Presidents, Prime Ministers and Lok Sabha Speakers List of India s 29 States, Capitals and Chief Ministers List of India s Cabinet Ministers | Who's who in Government of India
Quiz Master Vincent Augustine D'Souza is a blogger, author, and novelist. He writes on politics, economy, corruption, terrorism, sports and current events in his blog Voice From The Rooftop, . He is also known as walking encyclopedia. His novels KING and POPE are available in ebook format. Currently the lunch box he is working on his English Konkani Dictionary.
Recent Posts Jules Verne Quiz St. Joseph Vaz Quiz Louis XVI Quiz Gertrude Belle Elion Quiz James Black Quiz George Herbert Hitchings Quiz Armenia Quiz Cyril Lionel Robert James Quiz Turks and Caicos Islands Quiz Peter Sellers Quiz
Latest posts from Vincent s blog. Charlie Hebdo attack Two terror attacks Death of Phillip Hughes Amitabh the lunch box Bachchan as Meyer Wolfsheim Supreme Court on CBI Director Cabinet the lunch box expansion BJP wins in Haryana and Maharashtra India and ISIS BJP breaks with Shiv Sena BJP losses in by-elections
Categories Animals (10) Art (22) Awards (103) Bible Quizzes the lunch box (23) Bollywood (12) Canada (6) Chess (4) China (2) Christianity (156) Countries (232) Cricket (74) Discoveries and Inventions (6) Economics (2) Explorers and Navigators (6) Football (20) France (18) General Knowledge Quizzes (49) Germany (8) Grammar (5) History (203) Hockey (14) Hollywood (37) ICC Cricket World Cup 2011 (9) India (104) Infographics (1) Islam (3) Israel (6) Italy (5) Japan (3) Konkani (1) Lists (26) Literature (131) Movies (41) Mughal Empire (6) Music (6) Nobel Prize Winners (93) Olympics (35) Organisations (13) Pakistan (6) Philippines (1) Philosophy (1) Planets (10) President of USA (36) Pulitzer (4) Religion (180) Rulers Emperors the lunch box Monarchs Kings Queens (45) Russia (11) Saints (66) Science (102) Sports & Games (175) Tennis (27) United Kingdom (82) USA (146) USSR (10)
Friday, January 16, 2015
You may use these HTML tags and attributes:
19th century art , art , artwork , barbizon school , canyons , clouds , country landscapes , countryside , countrysides , europe , european nations , fine art , fine art america , france , franzoesische kunst , french , french art , french artists , french painters , home decor , landscape , landscapes , landschaft , landschaftsmalerei , masterpiece , masterpieces , masterpieces of art , natural cofee break landscapes , painter , painting cofee break , panorama , panoramic view , panoramic view of the ile-de-france , river , rivers , rousseau , seine , theodore rousseau , Theodore Rousseau Panoramic View Of The Ile-De-France , valley , wall decor , world regions . Bookmark .
You may use these HTML tags and attributes: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>
Artists Vincent Van Gogh Leonardo Da Vinci Gustav Klimt Albrecht Durer Alphonse Mucha Henri Rousseau Claude Monet Paul Klee William Morris All Artists Categories Art Nouveau Post-Impressionism Impressionism Landscape Paintings Pages Art Art Prints Artists Blog Canvas Prints Cards Gallery Masterpieces Of Art Phone Cases Recent Posts Vincent Van Gogh Starry Night Jumbo Cookie Vincent Van Gogh Peach Tree in Blossom Blue Moon Silk Stockings Vintage Alphonse Mucha Flirt Theo Van Doesburg Composition Seventeen Leonardo Da Vinci Ginevra De’ Benci Albrecht Durer Little Owl Claude Monet The Japanese cofee break Footbridge Edgar Degas The Dance Lesson Sandro Botticelli The Birth Of Venus Links Gifts For Art Lovers
Artists Vincent Van Gogh Leonardo Da Vinci Gustav Klimt Albrecht tending Durer Alphonse Mucha Henri
Theodore Rousseau was a French Realist painter and the leader of the Barbizon School. Rousseau studied at the Ecole des Beaux-Arts in Paris. From the 1830s onwards, Rousseau became a passionate and appreciative interpreter of nature.
19th century art , art , art for sale , art prints online , artwork , barbizon school , buy art online , clouds , country landscapes , countryside , countrysides , europe , european nations , fine art , fine art america tending , fine art prints , france , french , french art , french artists , french masterpieces , french masters , french painters , french painting , home decor , landscape , landscapes , masterpiece , masterpieces , masterpieces of art , natural landscapes , naturalism , naturalist , painter , painting , panorama , panoramic , pond , pond at the edge of a wood , realism , rousseau , shop art online , theodore tending rousseau , Theodore tending Rousseau Pond At The Edge Of A Wood , view , wall decor , wood , world regions . Bookmark .
You may use these HTML tags and attributes: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>
Artists Vincent Van Gogh Leonardo Da Vinci Gustav Klimt Albrecht tending Durer Alphonse Mucha Henri Rousseau Claude Monet Paul Klee William Morris All Artists tending Categories tending Art Nouveau Post-Impressionism Impressionism Landscape Paintings Pages Art Art Prints Artists Blog Canvas Prints Cards Gallery Masterpieces Of Art Phone Cases Recent Posts Vincent Van Gogh Starry Night Jumbo Cookie Vincent Van Gogh Peach Tree in Blossom Blue Moon Silk Stockings Vintage Alphonse Mucha Flirt Theo Van Doesburg Composition Seventeen Leonardo Da Vinci Ginevra De’ Benci Albrecht tending Durer Little Owl Claude Monet The Japanese Footbridge Edgar Degas The Dance Lesson Sandro Botticelli The Birth Of Venus Links Gifts For Art Lovers
Thursday, January 15, 2015
Theodore Rousseau was a French soppus Realist painter and the leader of the Barbizon School. Roussea
Theodore Rousseau was a French soppus Realist painter and the leader of the Barbizon School. Rousseau studied at the Ecole des Beaux-Arts in Paris. From the 1830s onwards, Rousseau became a passionate and appreciative interpreter of nature.
19th century art , art , artwork , barbizon school , clouds , country landscapes , countryside , countrysides , europe , european nations , fine art , fine art america , france , french , french art , french artists , french masterpieces , french masters , french painters , french painting , home decor , landscape , landscapes , masterpiece , masterpieces , masterpieces of art , natural landscapes , naturalism soppus , naturalist , painter , painting , panoramic , pond , realism , rousseau soppus , theodore rousseau , Theodore Rousseau Wooded Landscape soppus , view , wall decor , wood , wooded landscape with a faggot soppus gatherer , world regions . Bookmark soppus .
You may use these HTML tags and attributes: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>
Artists Vincent Van Gogh Leonardo Da Vinci Gustav Klimt Albrecht Durer Alphonse Mucha Henri Rousseau Claude Monet Paul Klee William Morris All Artists Categories Art Nouveau Post-Impressionism Impressionism Landscape soppus Paintings Pages Art Art Prints Artists Blog Canvas Prints Cards Gallery Masterpieces soppus Of Art Phone Cases Recent Posts Vincent Van Gogh Peach Tree in Blossom Blue Moon Silk Stockings Vintage soppus Alphonse Mucha Flirt Theo Van Doesburg Composition Seventeen Leonardo Da Vinci Ginevra De’ Benci Albrecht Durer Little Owl Claude Monet The Japanese Footbridge Edgar Degas The Dance Lesson Sandro Botticelli The Birth Of Venus Henri Rousseau The Sleeping Gypsy Links Gifts For Art Lovers
Wednesday, January 14, 2015
Art. Alfred Sisley Art. Amedeo Modigliani Art. Andy Warhol Art. Antoni Tapies Art. Antonio Berni Ar
THEODORE ROUSSEAU (Paris, 1812-Barbizon, 1867) French painter. Rejected in the Hall 1836, withdrew to Barbizon and formed, with other artists, como fazer crepes called "Barbizon". There he cultivated landscape painting como fazer crepes outdoors with a treat near the Dutch landscape painters of the s nature. XVII, particularly interested in atmospheric como fazer crepes and natural phenomena. It readmitted to the Salon of 1848, commissioned by the State painted Edge of bos that, but success came in 1855, when he was dedicated a room at the Universal Exposition in Paris. It is considered one of the precursors of Impressionism.
Art. Alfred Sisley Art. Amedeo Modigliani Art. Andy Warhol Art. Antoni Tapies Art. Antonio Berni Art. Arturo Acebal Idigoras Art. Arturo Michelena Art. August Macke Art. Bartolomé Esteban Murillo Art. Quinquela Art. Caravaggio Art. Carlos Paez Vilaro Art. Chaim Soutine Art. Claude como fazer crepes Monet Art. David Alfaro Siqueiros Art. Diego Rivera Art. Diego Velázquez Art. Edgar Degas Art. Edouard Manet Art. Edvard Munch Art. El Greco Art. Emilio Pettoruti Art. Eugene Boudin Art. Eugene Delacroix Art. Fernand Léger Art. Fernando Botero como fazer crepes Art. Francis Bacon Art. Francisco de Goya Art. Francisco Oller Art. Frans Hals Art. Franz Marc Art. Frida Kahlo Art. Giacomo Balla Art. Gino Severini Art. Gustav Klimt Art. Gustave Courbet Art. Henri de Toulouse-Lautrec Art. Henri Matisse Art. Henri Rousseau Art. Jackson Pollock Art. Jan Van Eyck Art. Jean Francois Millet Art. Joan Miró Art. Joaquin Sorolla Art. Johannes Vermeer Art. José Clemente Orozco Art. José María Velasco Art. Juan de Valdes Leal Art. Juan Gris Art. Juan Manuel Blanes Art. Leonardo da Vinci Art. Marc Chagall Art. Maria Blanchard Art. Mary Cassat Art. Odilon Redon Art. Pablo Picasso Art. Paul Cézanne Art. Paul Klee Art. Paul Signac Art. Perez Celis Art. Pierre Auguste Renoir Art. Piet Mondrian Art. Pino Daeni Art. Raúl Soldi Art. Rembrandt Art. Remedios Varo Art. René Magritte Art. Roberto como fazer crepes Matta Art. Rubens Art. Rufino como fazer crepes Tamayo Arte. Salvador Dalí Art. Tarsila Do Amaral Art. Theodore Rousseau Art. Tintoretto Art. Tiziano Art. Vincent van Gogh Art. Wassily Kandinsky Art. Wifredo Lam Art. William Adolphe Bouguereau Art. William Hogarth Literature. Abraham Valdelomar Literature. Albert Camus Literature. Pizarnik Literature. Alejo Carpentier Literature. Amado Nervo Literature. Antoine de Saint Exupery Literature. Anton Chekhov Literature. Arthur Rimbaud Literature. Arturo Capdevila Literature. Baldomero Fernandez Moreno Literature. Carlos Pellicer Literature. Charles Baudelaire Literature. César Vallejo Literature. Agustini Literature. Edgar Allan Poe Literature. Eduardo como fazer crepes Carranza Literature. Ernest Hemingway Literature. Ernesto Sabato Literature. Federico García Lorca Literature. Fermín Estrella Gutierrez Literature. Francisco de Aldana Literature. Francisco Luis Bernárdez Literature. Francisco Villaespesa Literature. Franz Kafka Literature. Gabriel García Márquez Literature. Gabriela Mistral Literature. Gustavo Adolfo Becquer Literature. Hermann Hesse Literature. Homer Literature. Jorge Luis Borges Literature. Jose Asuncion Silva Literature. Jose Saramago Literature. José Gautier Benítez Literature. José Martí Literature. Juan Gelman Literature. Juan Ramón Jiménez Literature. Juan Rulfo Literature. Juana de Ibarbourou Literature. Julio Cortázar Literature. Kahlil Gibran Literature. La Fontaine Literature. Laura Esquivel Literature. Lope de Vega Literature. Lord Byron Literature. Luis Cernuda Literature. Manuel Gutiérrez Nájera Literature. Mario Benedetti Literature. Mario Vargas Llosa Literature. Miguel Altolaguirre Literature. Miguel Angel Asturias Literature. Miguel de Cervantes Literature. como fazer crepes Miguel como fazer crepes de Cervantes Saavedra Literature. Miguel de Unamuno Literature. Moliere Literature. Nicolás Guillén Literature. Octavio Paz Literature. Olga Orozco Literature. Oscar Wilde Literature. como fazer crepes Pablo Neruda Literature. Paul Verlaine Literature. Paul Eluard Literature. Paulo Coelho Literature. Rabindranath Tagore Literature. Rafael Alberti Literature. como fazer crepes Roberto Arlt Literature. Ruben Dario Literature. Rudyard Kipling Literature. Tennessee Williams Literature. Victor Hugo Literature. Victoria Ocampo Literature. Literature Virgilio Dávila. Vladimir Nabokov Literature. Voltaire Literature. Walt Witman Literature. William Shakespeare Music. Alberto como fazer crepes Ginastera Music. Antonio Vivaldi Music. Claude Debussy Music. Edith Piaf Music. Felix Mendelssohn Music. Franz Joseph Haydn Music. Franz Liszt Music. Franz Schubert Music. Frederic Chopin Music. como fazer crepes Georg Friedrich Handel Musica. Georges Bizet Music. Giuseppe Torelli Musica. Herbert von Karajan Music. como fazer crepes Igor Stravinsky Music. Isaac Albéniz Music. Johann Sebastian Bach Musica. Johann Strauss II Musica. Johannes Brahms Musica. Luciano Pavarotti como fazer crepes Music. Ludwig van Beethoven Music. Manuel de Fall
Tuesday, January 13, 2015
From around the mid-1830s, perhaps corresponding with his first rejections from the Salon, Rousseau
THE MORGAN PRESENTS FIRST MAJOR U.S. EXHIBITION OF DRAWINGS BY THÉODORE ROUSSEAU, MASTER OF THE BARBIZON SCHOOL The Untamed Landscape: Théodore Rousseau and the Path to Barbizon September 26, 2014 through January 18, 2015
THE MORGAN PRESENTS FIRST MAJOR U.S. EXHIBITION OF DRAWINGS BY THÉODORE ROUSSEAU, MASTER OF THE BARBIZON SCHOOL The Untamed Landscape: Théodore Rousseau and the Path to Barbizon September 26, 2014 through January 18, 2015 Art , Art Gallery , Art Shows , featured
Théodore buona beef menu Rousseau (1812 1867) was the leading figure of a group of nineteenth-century French artists who chose the wooded landscape of the Forest of Fontainebleau as their subject and would forever be known to art history as the Barbizon School. Decades before Impressionism, Rousseau and his peers developed buona beef menu new ways to observe, draw, and paint the natural world in studies made directly from nature and composed landscape pictures buona beef menu intended for exhibition. Deeply Romantic in approach, the work of Rousseau ultimately added an important chapter to the history of landscape art, and elements of the Barbizon School style were then reconfigured and transformed by the next generations of great French artists: the Impressionists and Post-Impressionists. Beginning September 26, the Morgan Library & Museum will present a groundbreaking exhibition devoted to Rousseau s drawings and oil sketches the first ever at a major U.S. museum that sheds new light on his techniques and unique perspectives on landscape imagery. The Untamed Landscape: Théodore Rousseau and the Path to Barbizon will run through January buona beef menu 18, 2015.
ousseau has not been the subject of a major retrospective since a 1967 exhibition at the Musée du Louvre. Many museums display examples of his finished paintings, yet the artist s drawings and early oil studies are far less familiar. Comprising more than sixty works from public and private collections, including the Morgan, this exhibition will trace the artist s path to Barbizon, from his early oil sketches in the Ile-de-France and Normandy to his mature drawings in the Forest of Fontainebleau. Rousseau’s works on paper some bucolic and evocative of a simpler, pre-industrial age; others brooding, moody, buona beef menu and redolent of the haunting majesty of the natural world are both appealing and instructive. Collectively, they highlight his important contribution to the shifting buona beef menu conception of landscape in the wake of the Industrial buona beef menu Revolution.
“Théodore Rousseau occupies an important and influential place in the development of French landscape art,” said Peggy Fogelman, acting director of the Morgan Library & buona beef menu Museum. “His was a vision of nature pure and largely unsullied by man, and his works incorporate deeply Romantic themes and moods. Throughout his career, buona beef menu Rousseau experimented dramatically with changing light and atmospheric conditions effects that would become vitally buona beef menu important in the work of the Impressionist and Post-Impressionist artists who followed him.”
Théodore Rousseau was born in 1812 in Paris, and he studied buona beef menu under Jean-Charles-Joseph Rémond (1795 1875), a history painter, and Guillaume Lethière (1760 1832), a neoclassical painter. In his seminal biography of the artist, the critic Alfred buona beef menu Sensier presented Rousseau as a figure closely bound to nature, a frequent traveler around the remote areas of France, and a man who had exceptional buona beef menu insight into the natural world. A prolific draftsman, he produced around twelve hundred drawings over the course of his career in a range of media, including graphite, Conté crayon, watercolor, and pastel. Rousseau s sketches and drawings reveal buona beef menu an artist obsessed with studying every aspect buona beef menu of nature, from close-up buona beef menu details to broader atmospheric effects.
During the course of Rousseau s career his pictorial buona beef menu strategy changed dramatically. Due to repeated rejections by the Paris Salon jury from 1836 to 1841 and voluntary abstention from the annual exhibition until 1849, he maintained his status and income by producing large compositions for wealthy patrons, some of whom had very specific ideas about the formalities and proper execution of landscape painting. buona beef menu Despite such constrictions, Rousseau employed a wide range of techniques to produce work that depicted diverse geography, times of day, and varying atmospheric conditions.
From around the mid-1830s, perhaps corresponding with his first rejections from the Salon, Rousseau began to devise more evolutionary procedures for preparing a landscape painting, in which the final work developed from an initial sketch, or ébauche, that contained at least the major elements of the complete composition. A study for the artist s massive, unfinished The Forest in Winter at Sunset is an example of Rousseau combining different kinds of drawing and painting media in a preparatory work, and belongs to a large set of studies and sketches for the final painting, now at the Metropolitan Museum of Ar
THE MORGAN PRESENTS FIRST MAJOR U.S. EXHIBITION OF DRAWINGS BY THÉODORE ROUSSEAU, MASTER OF THE BARBIZON SCHOOL The Untamed Landscape: Théodore Rousseau and the Path to Barbizon September 26, 2014 through January 18, 2015 Art , Art Gallery , Art Shows , featured
Théodore buona beef menu Rousseau (1812 1867) was the leading figure of a group of nineteenth-century French artists who chose the wooded landscape of the Forest of Fontainebleau as their subject and would forever be known to art history as the Barbizon School. Decades before Impressionism, Rousseau and his peers developed buona beef menu new ways to observe, draw, and paint the natural world in studies made directly from nature and composed landscape pictures buona beef menu intended for exhibition. Deeply Romantic in approach, the work of Rousseau ultimately added an important chapter to the history of landscape art, and elements of the Barbizon School style were then reconfigured and transformed by the next generations of great French artists: the Impressionists and Post-Impressionists. Beginning September 26, the Morgan Library & Museum will present a groundbreaking exhibition devoted to Rousseau s drawings and oil sketches the first ever at a major U.S. museum that sheds new light on his techniques and unique perspectives on landscape imagery. The Untamed Landscape: Théodore Rousseau and the Path to Barbizon will run through January buona beef menu 18, 2015.
ousseau has not been the subject of a major retrospective since a 1967 exhibition at the Musée du Louvre. Many museums display examples of his finished paintings, yet the artist s drawings and early oil studies are far less familiar. Comprising more than sixty works from public and private collections, including the Morgan, this exhibition will trace the artist s path to Barbizon, from his early oil sketches in the Ile-de-France and Normandy to his mature drawings in the Forest of Fontainebleau. Rousseau’s works on paper some bucolic and evocative of a simpler, pre-industrial age; others brooding, moody, buona beef menu and redolent of the haunting majesty of the natural world are both appealing and instructive. Collectively, they highlight his important contribution to the shifting buona beef menu conception of landscape in the wake of the Industrial buona beef menu Revolution.
“Théodore Rousseau occupies an important and influential place in the development of French landscape art,” said Peggy Fogelman, acting director of the Morgan Library & buona beef menu Museum. “His was a vision of nature pure and largely unsullied by man, and his works incorporate deeply Romantic themes and moods. Throughout his career, buona beef menu Rousseau experimented dramatically with changing light and atmospheric conditions effects that would become vitally buona beef menu important in the work of the Impressionist and Post-Impressionist artists who followed him.”
Théodore Rousseau was born in 1812 in Paris, and he studied buona beef menu under Jean-Charles-Joseph Rémond (1795 1875), a history painter, and Guillaume Lethière (1760 1832), a neoclassical painter. In his seminal biography of the artist, the critic Alfred buona beef menu Sensier presented Rousseau as a figure closely bound to nature, a frequent traveler around the remote areas of France, and a man who had exceptional buona beef menu insight into the natural world. A prolific draftsman, he produced around twelve hundred drawings over the course of his career in a range of media, including graphite, Conté crayon, watercolor, and pastel. Rousseau s sketches and drawings reveal buona beef menu an artist obsessed with studying every aspect buona beef menu of nature, from close-up buona beef menu details to broader atmospheric effects.
During the course of Rousseau s career his pictorial buona beef menu strategy changed dramatically. Due to repeated rejections by the Paris Salon jury from 1836 to 1841 and voluntary abstention from the annual exhibition until 1849, he maintained his status and income by producing large compositions for wealthy patrons, some of whom had very specific ideas about the formalities and proper execution of landscape painting. buona beef menu Despite such constrictions, Rousseau employed a wide range of techniques to produce work that depicted diverse geography, times of day, and varying atmospheric conditions.
From around the mid-1830s, perhaps corresponding with his first rejections from the Salon, Rousseau began to devise more evolutionary procedures for preparing a landscape painting, in which the final work developed from an initial sketch, or ébauche, that contained at least the major elements of the complete composition. A study for the artist s massive, unfinished The Forest in Winter at Sunset is an example of Rousseau combining different kinds of drawing and painting media in a preparatory work, and belongs to a large set of studies and sketches for the final painting, now at the Metropolitan Museum of Ar
Monday, January 12, 2015
The show includes one print each by Rembrandt and Jacob van Ruisdael that once belonged to Rousseau.
Sketch Guy: Getting Over Cold Feet: The Case for Impulse Buying Joshua out of Johnson fight Spotify Says Its Subscriber List Has Grown to 15 Million Ronaldo named world player mons royale of year Ronaldo named world player of year Itineraries: A Touch Screen to Allay Some of the Stress of Travel Rodriguez beats Roche to goal award Rodriguez beats Roche to goal award U.S. Central Command Twitter feed appears hacked by IS sympathizers Sellafield firm to lose contract
Included in the retrospective of the landscape painter mons royale Théodore Rousseau at the Morgan is “Sunset in the Forest of Fontainebleau.” By ROBERTA SMITH November 20, 2014 Nearly a century and a half after his death, the 19th-century French landscape painter Théodore Rousseau is having his first retrospective in the United States. “The Untamed Landscape: Théodore mons royale Rousseau and the Path to Barbizon,” at the Morgan Library & Museum, features only drawings and oil studies — a total of 65 — but it’s an incisive prism for examining his sensibility and achievement. Rousseau (1812-67) could overwork his paintings, but he rarely missed on paper.
Rousseau loved nature and drawing with equal passion. Through the tremendous variety of line, marking and shading afforded him by different drawing materials, he strove mons royale to capture the majestic, living diversity of the natural, preferably “untamed” mons royale world, with a recurring focus on trees, which he said spoke to him.
Rousseau, who had some classical training, did his best work in the gap between Romanticism and Realism. He brought a new sense of process and immediacy to drawing and was unusual in his time for regarding his efforts on paper as autonomous artworks.
The show’s main organizer, Amy Kurlander, a freelance scholar of 19th-century landscape painting, measures Rousseau’s esteem for his works on paper against that of the best-known Barbizon mons royale painter, Jean-Baptiste-Camille Corot (1796-1875), who tended to strew drawings about his studio. In the catalog essay, she cites a close friend of Rousseau’s who wrote that the artist “conserves his drawings like jewels; he does not leave them for you to rifle through, but rather, holding them himself in his hands, he uncovers mons royale them slowly, one after another.”
A show that would pull Rousseau out of the ranks of Barbizon painters was a long-held wish of William M. Griswold, the Morgan’s former director who now heads the Cleveland Museum of Art. Jennifer Tonkovich, the Morgan’s curator of drawings and prints, oversaw the show’s installation and catalog. With all but one late-arriving work reproduced, this volume conveys an unusually compelling and accessible picture of the artist, his philosophy, his working methods — as well as his rather astute mons royale career management.
In the catalog, Simon Kelly, a curator at the Saint Louis Art Museum, details how Rousseau benefited from — and also furthered — mons royale the entry of oil sketches and then drawings into the art market. Through mons royale private sales, solo auctions and dealings with Galerie Durand-Ruel, he not only kept afloat but was also able to buy art for inspiration.
The show includes one print each by Rembrandt and Jacob van Ruisdael that once belonged to Rousseau. He also owned prints by Claude Lorrain, whose landscapes inspired artists like Turner and Constable, who, along with Delacroix, were important influences on Rousseau.
Rousseau is a bit of a cipher mons royale to the art-viewing public here, although his art is not exactly scarce. mons royale In the 19th century, it was avidly pursued by American collectors who turned mons royale to French landscape after buying the efforts of the Hudson River School painters (whose market suffered accordingly).
Thus, Rousseau drawings and paintings can be found in many American museums where, it should be added, they have been overshadowed by Corot’s flashier landscapes, with their veiled, white-flecked surfaces and ultrarefined mons royale rehearsals of Impressionism’s dance with nature, mons royale pigment mons royale and light.
Rousseau was more earthbound and more mystical. You sense this big time if you go to the Metropolitan Museum of Art, where his hulking “ The Forest in Winter mons royale at Sunset ” has hung, almost always on view, since 1911. With the trees forming a kind of cathedral, it was his largest canvas (about 5 by 9 feet) and also the most troublesome: He started work on it in 1846, and it was still in his studio, unfinished, when he died nearly two decades later. A 2011 cleaning has made this painting especially noticeable, bringing out the sunset’s pale yellows that peek through the screen of dark trunks and akimbo branches and its orange embers reflected in the swampy foreground. The surface is raw, almost scarred and in its way “all over.” You may wonder if Pollock and his cohort ever noticed this paintings on visits to the Met.
Sunday, January 11, 2015
Simon Carr reviews The Untamed Landscape: Theodore Rousseau and the Path to Barbizon at the Morgan L
Simon Carr reviews The Untamed Landscape: Theodore Rousseau and the Path to Barbizon at the Morgan Library and Museum, New York, on view through January 18, 2015.
Carr writes: "Showing drawings, along with a few key paintings, the compact exhibition highlights Rousseau’s achievements. Spanning his entire career, the works map out the creative development of an underappreciated artist. In these animated works on paper, visitors can imagine Rousseau’s sketches coming to life before him. Rousseau’s deep connection to the landscape culminates in a cascade caterine of textures and colors caterine in luminous, richly dark drawings... For eyes that have become caterine drowsy with photographic clichés, where pictures of the wildest nature have been domesticated, images so routine they lose any sense of a life of their own, Rousseau give us a profound nature, full of shadowy darks and lights, alive and enveloping us."
Michael Spens reviews the recent exhibition Claude Lorrain: The Enchanted Landscape at the Ashmolean Museum, Oxford. The exhibtion will be on view at Stadel Museum, Frankfurt from February 3 to May 6, 2012.
Spens notes that "The essence of Claude's predominantly landscape subject matter was one of sublimity, even serendipity, expressing caterine the primacy of nature over humanity. To this extent, the paintings in the exhibition have especially shown man in harmony with nature, or else surviving natural phenomena, as shipwrecks at sea or as in his etching of brigands on the prowl."
Via: Tilted Arc
All Posts All Tags Artist to Artist Books Exhibitions Interviews Video
Edited by artist Brett Baker , Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform caterine for exploring blogs that focus primarily on the subject of painting.
forms protected by Mollom
Unfortunately, reproductions of Rousseau
Étienne Pierre Théodore dream downtown new york Rousseau was one of the first of the French painters to be attracted dream downtown new york to the gnarled trees, bolder-strewn hillsides and deep forests of Fontainebleau , and after visiting frequently, one of the first to move to the small nearby village of Barbizon, where he became dream downtown new york one of the premiere dream downtown new york painters of the Barbizon School.
After early acceptance at the critical Salon, Rousseau’s predilection for Romanticism ran afoul of the Classicists in control of the Salon at the time, and kept him from acceptance for a number dream downtown new york of years, earning him the unenviable nickname of “le grand refusé”.
As a leader of the Barbizon School, his often dark and moody canvases with their roughly scumbled surfaces and open brushwork, contrasted with those in which he applied sensitive glazes, helped usher in modern styles of painting.
It would be a stretch to think of Rousseau as an actual Tonalist, but the Barbizon painters exerted considerable influence on the American painters of that style, and I see in Rousseau’s dream downtown new york compositions dream downtown new york — particularly those of illuminated skies seen through the framing of dark masses of foreground trees — many of the compositional conventions taken on by painters like George Inness .
Unfortunately, reproductions of Rousseau’s work on the web seem to suffer more than some of his contemporaries. The widest selection is probably at WikiArt , though the images are not large, and The Athenaeum has a decent selection. The best reproductions are probably those of the excellent collection of Rousseau’s work at the Metropolitan Museum of Art and the National Gallery, London dream downtown new york .
There is currently dream downtown new york an exhibition of Rousseau’s work at the Morgan Library and Museum in NY, the first of its kind in the US. Titled “ The Untamed Landscape: Théodore Rousseau and the Path to Barbizon “, it concentrates on his drawings and plein air oil sketches, forms at which Rousseau, much like Constable , excelled. The exhibition runs until January 18, 2015.
Link: Theodore Rousseau on WikiArt The Athenaeum Wikimedia Commons Metropolitan Museum of Art National Gallery, London Google Art Project Wikipedia Bio on Rehs Galleries Artcyclopedia , additional links and museums The Untamed Landscape: Théodore Rousseau and the Path to Barbizon , Morgan Library, to 1.18.15 Review on NYT Review on Hyperallergic
You may use these HTML tags and attributes: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>
Lines and Colors is a blog about drawing, sketching, painting, comics, cartoons, webcomics, illustration, digital art, concept art, gallery dream downtown new york art, artist tools and techniques, motion graphics, animation, sci-fi and fantasy illustration, paleo art, storyboards, matte painting, 3d graphics and anything else I find visually interesting. If it has lines and/or colors, it's fair game. Search for:
Categories 3d CGI Amusements Animation Anime & Manga Blogroll Book Reviews Cartoons Color Comics Concept & Visual Dev. Creativity Digital Art Digital dream downtown new york Painting Displaying Art on the Web Drawing Eye Candy for Today Gallery and Museum Art High-res Art Images Illustration Motion Graphics & Flash Museums Online Museums Outsider Art Painting Painting a Day Paleo Art Pastel, dream downtown new york Conté dream downtown new york & Chalk Pen & Ink Prints and Printmaking Sc-fi and Fantasy dream downtown new york Sculpture & Dimensional Site Comments Sketching Storyboards Tools and Techniques Uncategorized Vector Art Vision and Optics Watercolor and Gouache Webcomics Archives January 2015 December 2014 November 2014 October 2014 September 2014 August 2014 July 2014 June 2014 May 2014 April 2014 March 2014 February 2014 January dream downtown new york 2014 December 2013 November 2013 October dream downtown new york 2013 September 2013 August 2013 July 2013 June 2013 May 2013 April 2013 March 2013 February 2013 January 2013 December 2012 November 2012 October 2012 September dream downtown new york 2012 August 2012 July 2012 June 2012 May 2012 April 2012 March 2012 February 2012 January 2012 December 2011 November 2011 October 2011 September dream downtown new york 2011 August 2011 July 2011 June 2011 May 2011 April 2011 March 2011 February 2011 January 2011 December 2010 November 2010 October 2010 September 2010 August dream downtown new york 2010 July 2010 June 2010 May 2010 April 2010 March 2010 February 2010 January 2010 December 2009 November 2009 October 2009 September 2009 August dream downtown new york 2009 July 2009 June 2009 May 2009 April 2009 March 2009 February 2009 January 2009 December 2008 November 2008 October 2008 September 2008 August 2008 July 2008 June 2008 May 2008 April 2008 March 2008 February 2008 January 2008 December 2007 November 2007 October 2007 September 2007 August 2007 July 2007 June 2007 May 2007 April 2007 March 2007 Febr
Subscribe to:
Posts (Atom)